Matt and I take a look at the Alto Horn, A.K.A the Tenor Horn (or Peck Horn, or Blatweasel) and why it’s not used anymore in American bands.
From Bandestration
9 thoughts on “Episode 5 – The Tenor, errr Alto Horn”
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Matt and I take a look at the Alto Horn, A.K.A the Tenor Horn (or Peck Horn, or Blatweasel) and why it’s not used anymore in American bands.
From Bandestration
Comments are closed.
I was mentioned in the podcast! Indirectly anyway. Lots of really cool stuff in there, especially the combinations with different instruments, mutes, etc. Makes me want to consider using this quartet, but the lack of instruments in the US makes that difficult.
The more pieces that call for it, the more band directors will have to listen to the demands of the composers.
I was also intrigued about the comment about filling the C3 to C4 gap and how that range is written for in the band. I think I agree. Does that range just need to be bolstered by additional instruments, or do composers typically just not write for that range well? In addition to alto and baritone horns, I see alto clarinet, bassoons (although I consider the C3 to F4 range the weakest on the bassoon), tenor sax, bari sax, bass oboe (if available), trombones, and euphoniums covering this range comfortably. This sounds like a fair number of instruments available, so what would you suggest to cover this range better? In my head, I hear Grainger covering this range well, although I might just be conflating covering this range with the association with his reedy sound.
Grainger does this range (and most other band things) better than almost anyone else. If you’re hearing him, then everything is good.
The Michigan Marching Band used Alto Horns up until the mid 1990’s (exact date not known, based on my younger contacts from the band), when they were finally replaced with mellophoniums. They were affectionately (derisively?) called “peck horns” because they often had the after beats in marches so they “pecked” at the music. The instruments marched were Eb, 3 valve instruments as you described, but these had forward-facing bells. Full instrumentation of the band in that era was:
6 Piccolos
24 Clarinets
18 Alto Saxes
12 Tenor Saxes
48 Trumpets
12 Alto Horns
12 Euphoniums
36 Trombones
12 Tubas
8 Snare Drums
4 Bass Drums
4 Cymbals
24 Flags
4 Twirlers
1 Drum Major
196 Instruments
225 Total on field
There was NO auxiliary instruments (i.e. pit)
I’m really surprised that these lasted all the way into the 90s. I know the type of horn you’re talking about. Probably like the old bell-front Euphoniums seen in countless band halls.
Yup, our Euphs were the bell-front type. Those also went by the name of “Dinkophone”
My middle school owns several alto horns, and the high school band teachers son plays it in addition to french horn.
That’s a very rare scenario, though one that I do not doubt happens.