Possibilities of the Concert Wind Band from the Standpoint of a Modern Composer

This is a reprint of an article by Percy Grainger from 1918.  It was originally published in Metronome Orchestra Monthly.  It is perhaps one of the greatest articles ever written on the art of bandestration.  This article is hard to find on the internet, so I have transcribed the whole thing for easier use.

Possibilities of the Concert Wind Band from the Standpoint of a Modern Composer

Percy Grainger

(1918)

Modern Wind Band a Product of Recent Musical Thought – Reed and Brass Sections as They Should Exist – Finer Possibilities of Arranging for the Modern Wind Band – Adaptability of Classic and Modern Music to the Needs of a Complete Wind Band – Suggestions for Strengthening the Double-reed Sections – The Percussion Section as it Should Be Perfected. Continue reading “Possibilities of the Concert Wind Band from the Standpoint of a Modern Composer”

An Interview with Hornist Brian Brown

This is the first in a series of interviews with performers on what they expect from good band writing.  First up is Brian Brown an active freelance horn player in the DFW area. He recently joined the Four Hornsmen of the Apocalypse horn quartet, and serves as Principal Horn of the East Texas Symphony, and performs regularly with the Fort Worth, Plano, and Waco symphonies, the Dallas Opera, and the Dallas Wind Symphony. Additionally, he has performed in many productions with Dallas Summer Musicals and Casa Manana Theatre, and in numerous recording sessions and chamber ensembles. In addition to maintaining a diverse performing career, he also publishes custom brass arrangements as co-owner of BrownWood Publishing. Brian studied with Dr. William Scharnberg at the University of North Texas.

 1.       What is your biggest pet peeve about Horn writing in band?
Continue reading “An Interview with Hornist Brian Brown”