Today, I will look at some common and not so common orchestral combinations involving the Contrabassoon.
Contra and Basses
This is by far the most common orchestration device for the Contrabassoonist. Assuming a large section of Basses (6 or more), the Contra’s sound, in unison, will blend in and not make much of an impact. The real reason for this is to add solidity to the bottom of the orchestra.
To best illustrate how this works, I will use a personal experience. Continue reading “Taming the Beast -Advanced Orchestration for Contrabassoon – Part 4 – Orchestral Combinations”